[Eeep... it's Wednesday... I'm working on end-of-semester papers? ^^;]
Music Video: "I Can't Decide" by the Scissor Sisters
Music Video: "I Can't Decide" by the Scissor Sisters
I first heard this song on Doctor Who,
and I've found it's cheery tune and gruesome lyrics highly amusing
ever since. I think this fan video is cute as hell and captures that
sense of irony perfectly (especially with the little dance at the end
XD).
Comics: Beyond the Beyond (Sono Mukou no Mukougawa) by WATANABE
Yoshitomo
This
series hits my adorable button like no other--it's a very cute
series, without overly sweet or cutesy. The story feels fluffy at
first, but it leaves more of an impact than you'd expect (think like
Cardcaptor Sakura minus the ha--oops spoilers. The story itself isn't
actually similar to CCS, just the genre.) There are, unfortunately,
some rather less-than-uplifting circumstances regarding this
manga--it's only been translated to English through the fifth volume
(out of six, so not as bad as it could be but perhaps a bit more
infuriating.) Tokyopop published the first four in English (and all
six in German, which is the next best thing for English-speakers even
if you don't speak German since it's still easier to read than
Chinese or Japanese), and Chuang Yi has published the first five in
Singapore (but shows no signs of releasing the sixth -__-.) English
scans of the first five volumes can be found online.
Anyway.
Read it for Virid's transformation from being a violent sociopath to
Futaba's infatuated friend who will do anything to help him alone, if
for no other reason.
The
songs are bouncy and catchy without being sweet or cheery. A very
early form of the Cure's unique quirkiness. Pleasant to listen to
without it trying to be, with amusing lyrics. The ending to "Subway
Song" is especially jarring
lovely <3.
Film:
Velvet Goldmine (Hulu/Youtube/if you can't access it either I'm sure you can find it elsewhere? I fucking hate it when corporations block access to things, especially when it differs by region DX.)
The costumes and
glam rock songs alone are worth it, but the story and characters also
manage to be memorable and intriguing. You basically get to piece
together a disappeared rock star's life through the people who were
most affected by him, including the journalist tracking these people
down himself. But the gorgeous 70s decadence of it all is what makes
it worth watching.
Places: The Uptown Theatre in Minneapolis
A prime example of
what cinemas SHOULD be like. These days, we can get the big-screen,
surround sound experience at home (provided we/someone we know has the cash. Still. Within the realm of possibility.) But for many
of us, that isn't even all that necessary--we just want to watch the
film, which we've been able to do in our own homes for AGES. So
what's the point of going to a cinema? Being part of an audience and
going someplace beautiful to watch what will (hopefully) be
wonderfully entertaining, thereby turning a simple movie viewing into
something a bit more theatrical and spectacular. The big chain
multiplexes simply don't accomplish this. But the Uptown is one of
the few remaining cinemas that does, with its murals and huge balcony and STAGE
(perfect for Rocky Horror) and pretty lobbies (or at least pre-renovation... I'm eyeing the post-renovation photos warily, but will reserve full judgement until I've seen them in person). I haven't been in here
since it got renovated, but I'm looking forward to returning.
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